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29 Jan – 8 Feb 2026

Harbour

Overview of films

  • Als uw gat maar lacht (If Yes, Okay)

    Dick Verdult | 93' | Netherlands | World premiere

    A privileged teenager mounts a mock Kabuki performance to lampoon her billionaire parents in this idiosyncratic dark comedy.
  • Amor fati

    Cláudia Varejão | 102' | France | None

    These intimate, at times almost magical, portraits of soulmates prove that love comes in all shapes and sizes.
  • Anatomy of Time

    Jakrawal Nilthamrong | 118' | France | None

    Maem falls in love with an army officer during the military dictatorship in 1960s Thailand. By the 2015 Tiger Award winner. 
  • Anatomy of Time

    Jakrawal Nilthamrong | 118' | France | None

    Available on Festival Scope Pro from 26 January 9:00 CET to 14 February 9:00 CET


  • And the Rest Will Follow

    Pelin Esmer | 114' | Turkey | World premiere

    A hotel housekeeper and a filmmaker ignite each other’s imaginations in an extraordinary friendship.
  • Animalia Paradoxa

    Niles Atallah | 80' | Chile | World premiere

    Avant-garde animation and performance combine as a creature struggles to survive in a post-apocalyptic world. 
  • Another Spring

    Mladen Kovačević | 89' | Qatar | Dutch Premiere

    Merging documentary and thriller, a resounding, archival retracing of the 1972 Yugoslav smallpox outbreak.
  • Anubhuti

    Anirban Dutta | 96' | India | World premiere

    A highly stylised musical performance piece fusing together Indian mythology, history and classical art.
  • Ariel

    Lois Patiño | 108' | Spain | World premiere

    A dreamlike revision of Shakespeare’s The Tempest staged in the whimsical Azores islands.
  • Arnold Is a Model Student

    Sorayos Prapapan | 86' | France | Dutch Premiere

    Thai students unite to reject the rigid societal norms and traditionalist values in their school.
  • Art Is Dark and Full of Horrors

    Artemio Narro | 120' | Mexico | World premiere

    An outrageous satire of the Mexican art world that pits insecure artists against predatory curators.
  • Au jour d’aujourd’hui

    Maxence Stamatiadis | 67' | France | World premiere

    In 2024, 88-year-old Suzanne uses deep-fake technology to recreate her deceased husband Edouard, but is he still the same?