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28 Jan – 7 Feb 2027

Overview of articles

  • Anatomy of a Paper Clip

    Kogure is a paperclip bender in a paperclip factory. A man without characteristics. A stoical loser. One day he finds a butterfly in his flat.…
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  • The Pinkie

    Japanese filmmakers are brought up on genre films, TV nonsense, manga and street fashion. The result: films full of genre nonsense and manga fashion.
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  • Strangers When We Meet

    A car accident and a secret date cause Ryoichi (Kobayashi himself) and his wife to stop talking to each other. Intensely sad.
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  • Celery

    There’s a first time for everything, even celery. Unexpected end to a sensual story.
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  • The Great Passage

    A young Japanese filmmaker here speaks the language of great classic cinematography, with the contemporary element hidden in the details. The film fol
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  • Tamako in Moratorium

    Charming domestic drama. Tamako (pop star Maeda Atsuko) has graduated, but doesn’t really know what she wants to do yet and is living with her…
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  • It Has Already Been Ended Before You Can See the End

    The experience of time and ‘the end’ gain a new dimension in this, by far the most mysterious film at the festival. A time vacuum…
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  • The Lake

    Cameraman crawls from lake and squirms through cinema screen. Experimental, yet fun. Burlesque essay on film and drowning yourself.
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  • The Mole Song: Undercover Agent Reiji

    Anyone who falls asleep during this extremely exuberant film can ask for his money back. Reiji is basically a failed cop. The idea is that…
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  • ‘Til Madness Do Us Part

    China’s most famous documentary maker spent months in a municipal asylum, where patients are sometimes incarcerated for decades. This four-hour docume
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