The Ballad of Suzanne Césaire
A portrait of the Martinican writer and activist that underscores women's continued erasure from history.
75'
United States
IFFR 2024
Found in the first dictionary of the Egyptian language, is the hieroglyph ‘sr’, meaning ‘giraffe’. The tallest living terrestrial animal, its oldest ancestor roamed the Earth some twenty million years ago. In Lea Hartlaub’s endlessly fascinating film the animal is contextualised in terms of myth, fable, and both natural and human history. The result is as far from the anthropomorphic-centric trend in contemporary nature documentaries as you could get – and all the better for it.
Divided into diverse episodes, the giraffe is present more as a link between the diverse entries than the main subject of them. A plethora of narrative-driven tableaux, across thirty locations, spirit us through a sweeping history of the world, a genuinely epic story traversing millennia and continents, all anchored to this one creature. One of the remarkable strengths of Hartlaub’s narrative tapestry is its refusal to adopt a rigid formalist approach, instead remaining flexible and agile. This fluidity enhances the storytelling experience, allowing for a diverse and engaging exploration of history. Meditative, immersive, sometimes mischievously witty and often breathtaking in its visual and narrative sweep, sr is as contemplative as it is informed and as captivating as the animal that inspired it.
– Vanja Kaludjercic
IFFR 2024
Programme IFFR 2024
IFFR’s trademark competition celebrates the innovative and adventurous spirit of up-and-coming filmmakers from all over the world.
Read more about this programmeA portrait of the Martinican writer and activist that underscores women's continued erasure from history.
75'
United States
IFFR 2024
Fiction and documentary merge in this frank and moving snapshot of working-class Australian life.
89'
Australia
IFFR 2024
A moving meditation on the nature of conflict, adapted from the novel by Andrew Kurkov.
100'
Ukraine
IFFR 2024