Love Actually... Sucks!

  • 83'
  • Hong Kong
  • 2010

Even if in Love Actually... Sucks! Scud interlaces stories of love and relationships, it becomes immediately apparent that this film bears no easy relationship to Richard Curtis' 2003 film. As is made clear by the lashings of nudity and sex and a guy wandering along the coast, carrying his lover’s decapitated head. Inspired by six real-life court cases in Hong Kong, the film is a unique existential romance about love that has gone bad, illustrating how love can kind of suck, whilst giving a toast to unconventional love too. 

Siblings express their mutual love a little too affectionately, a wedding is spoiled, a married painter has a crush on his male model, a dance school teacher dances more than tango with his student, a lesbian couple have a role-playing issue and an unlucky love triangle ends with death and decapitation. The second of two collaborations with Hong Kong Herman Yau as the cinematographer, Love Actually… Sucks! oscillates between Decameron and Kaidan, mixing erotica with crime. While the film and love, are to be taken seriously, Scud’s insistence on keeping it real, his candour and his uncanny eye for singular imagery crackles with unexpected humour. 

– kijA

  • 83'
  • Hong Kong
  • 2010
Director
Scud
Premiere
Dutch Premiere
Country of production
Hong Kong
Year
2010
Festival Edition
IFFR 2024
Length
83'
Medium
DCP
Original title
愛很爛
Languages
Cantonese, Mandarin, English
Producer
Scud
Sales
Breaking Glass Pictures
Screenplay
Scud
Cinematography
Herman Yau
Editor
Suk Ping William Cheung, Chi Wai-Chan
Production Design
Irving Cheung
Music
Yu Yat Yiu
Cast
Osman Hung, Linda So, Haze Leung
Director
Scud
Premiere
Dutch Premiere
Country of production
Hong Kong
Year
2010
Festival Edition
IFFR 2024
Length
83'
Medium
DCP
Original title
愛很爛
Languages
Cantonese, Mandarin, English
Producer
Scud
Sales
Breaking Glass Pictures
Screenplay
Scud
Cinematography
Herman Yau
Editor
Suk Ping William Cheung, Chi Wai-Chan
Production Design
Irving Cheung
Music
Yu Yat Yiu
Cast
Osman Hung, Linda So, Haze Leung

Programme IFFR 2024

Focus: Scud

When reflecting on Scud’s body of work Louboutin’s “Heels are pleasure with pain,” comes to mind – the two permeate all his films. Audacious, passionate, cruel, loving and consistently stubborn, Scud strips his soul by stripping beautiful men, leaving them naked and vulnerable, wandering between the realms of absolute pleasure, sensual daydreams and nightmares. As well as pondering the meaning and value of life, death and thereafter. With Naked Nations – Tribe Hong Kong, the Hong Kong artist provocateur says his goodbye to filmmaking, leaving behind ten stand-alone films that form one relentless and singular work of art.

 

Did you know that Scud is also joining us for a Talk this year? Find out more via the button below.

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