A surgical assistant robot spends his days making incisions and closing wounds with precise, AI accuracy. Longing for connection, he plays chess with nurses. This routine, lonely existence is upended with the arrival of a mysterious woman: his upgraded version. In Eno Swinnen’s sensuous and lyrical hand-drawn animation, the complexities of a relationship between two machines reveal a tender, nuanced humanity.
– Fiona Armour
Ook in dit verzamelprogramma
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Arquitectura emocional 1959
An exploration of how architecture shapes the relationship between two students from different social backgrounds. -
Le jour où j’étais perdu
Le jour ou j’étais perdu seduces the audience with its ambiguity and continuous shifts of perception.
Film details
- Productieland
- Belgium
- Jaar
- 2023
- Festivaleditie
- IFFR 2023
- Lengte
- 16'
- Medium/Formaat
- DCP
