AIDOL
In a futuristic gaming world, superstar pursues comeback. Geomancer sequel plays with ideas on AI, fame and the power of megacorporations.
83'
United Kingdom
IFFR 2020
Against the backdrop of the 2065 Olympic eSports final, AIDOL, with its ideas on human versus artificial intelligence, the power of megacorporations and the value of creativity, is set in a computer-generated gaming world. Our avatar is Diva, a superstar who is bereft of hits and engages an artificial intelligence to stage her comeback during the final.
As in Lawrence Lek’s previous film Geomancer from 2017, the plot is of secondary importance, merely providing a trail for ideas to follow. The camera is on Diva in this futuristic, partly recognisable – jungle, temples, stadium – and partly abstract, alternative universe. By making the Bios battle the Synths in the final as man vs. machine, the film reflects on the rise of artificial intelligence, but also on typically human idiosyncrasies such as the desire for fame.Â
Also see IFFR x STRP: AI & Creativity.
IFFR 2020
Programme IFFR 2020
Representing the cutting edge of contemporary feature-length filmmaking, a selection of emerging talent working with original subject matter and an individual style.
Read more about this programmeIn a futuristic gaming world, superstar pursues comeback. Geomancer sequel plays with ideas on AI, fame and the power of megacorporations.
83'
United Kingdom
IFFR 2020
Air conditioners mysteriously fall from buildings in the Angolan capital. Pleasantly free film with a great soundtrack.
72'
Angola
IFFR 2020
Entrancing underwater footage of cenotes, or holy springs, in Yucatan, Mexico. Long-lost memories echo in a hallucinatory game of light and dark.
75'
Japan
IFFR 2020