Above the Teviot River in Scotland, the filmmaker saw a colour in the sky like in the paintings of Gustav Klimt. He translates his amazement into fluid patterns of a digitally decomposed scene, all the way to its radical ending when the variously coloured grids again dissolve into Klimt’s golden colour.
Screens before The Harvest.
Film details
- Country of production
- France
- Year
- 2018
- Festival edition
- IFFR 2019
- Length
- 9'
- Medium/Format
- DCP
