Âmes de fous
A few scenes and photos is all that remains of the film Âmes de fou. What might it have been? This performance reconstruction offers one splendid vision.
24'
France
IFFR 2019
Now here is a meeting of cinema minds and concepts probably nobody had ever thought about! On the one hand, the beyond-Tropicália surreal, wild, ecstatic universe of Khavn de la Cruz, the Philippines' internationally most venerated underground filmmaker – an IFFR regular always easy to spot due to his exalted sense of style. On the other, the Frankfurt School dialectics of Alexander Kluge, self-proclaimed arrière-guard eternal of 1960s modernist moviedom, Gandalf of all essay cinema.
For Happy Lamento, Kluge mixed some of his weirder TV skits on electricity, the circus, revolution and early cinema (featuring Fassbinder-regular Peter Berling, theatre genius Heiner Müller, and DaDaism's last man standing, Helge Schneider, among others) with some of the more outrageous scenes from Khavn’s 2016 Ang Napakaigsing Buhay Ng Alipato. Some 2017 G20 shots of Merkel and Trump et al inject the already heady brew with current affairs urgency. Expect the unexpected!
IFFR 2019
Programme IFFR 2019
Total cinema: from historical treasures to the edge of the technically possible – film as a laboratory of constant re-invention, an archive of dreams and futures.
Read more about this programmeA few scenes and photos is all that remains of the film Âmes de fou. What might it have been? This performance reconstruction offers one splendid vision.
24'
France
IFFR 2019
When the termination of the film Maritime Climates created a quota problem for Rīgas Kinostudijā, a shelved documentary instead became the loveliest of teenage romances!
76'
Latvia
IFFR 2019
A cinematographically minimalist prose poem crafted using nothing but the titles of movies that are lost. A reverie supreme.
8'
Japan
IFFR 2019