An ode to loudspeaker libertarianism, Abu Hamdan’s work frequently deals with the relationship between listening and borders. In The All-Hearing we are introduced to Cairo’s omnipresent noise pollution and determination to have the issue of noise heard, despite sanctions from Egypt’s new military government.
Film details
- Countries of production
- Egypt, Netherlands
- Year
- 2014
- Festival edition
- IFFR 2017
- Length
- 13'
- Medium/Format
- File
