Essentially a slow evolution from black to white, this film is an articulation of the old idea of Aristotle’s that colours arise from the clash between light and dark. The colours of #7 are based on the opposition of pigment and light, and are all produced by stamping paint directly onto the negative.
All Short films at IFFR 2017
Ook in dit verzamelprogramma
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#2
Hommage to the way daylight changes colour during the course of the day, linking this to how film as a medium captures and radiates light. -
VRFLM
A short study for the optical printer, based on found footage of fire, on coloured light from the printer and photochemical manipulations of the emuls -
#3
Images for this work were created by recording the movements of a tiny light source with extremely long exposure times, drawing traces on the emulsion -
#5
Through images made by using very non-virtual, simple reflecting materials, #5 can be regarded as a kind of action painting with light. -
#11, Marey <-> Moiré
Featuring images generated by revisiting the chronophotographic techniques of Étienne-Jules Marey, this film deals with the discontinuity
Film details
- Productieland
- Netherlands
- Jaar
- 1996
- Festivaleditie
- IFFR 2017
- Lengte
- 32'
- Medium/Formaat
- DCP
