Continuously modulating between animations with long exposures and snapshots enlarged across many film frames, #5 explores the relationship between image and time on the film strip. The images were made using very non-virtual, simple reflecting materials and can be regarded as action painting with light.
Also in this combined programme
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#2
Hommage to the way daylight changes colour during the course of the day, linking this to how film as a medium captures and radiates light.
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VRFLM
A short study for the optical printer, based on found footage of fire, on coloured light from the printer and photochemical manipulations of the em
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#3
Images for this work were created by recording the movements of a tiny light source with extremely long exposure times, drawing traces on the emuls
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#7
Essentially a slow evolution from black to white, this film is an articulation of the old idea of Aristotle’s that colours arise from th
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#11, Marey <-> Moiré
Featuring images generated by revisiting the chronophotographic techniques of Étienne-Jules Marey, this film deals with the discontinui
Film details
- Country of production
- Netherlands
- Year
- 1994
- Festival edition
- IFFR 2017
- Length
- 6"
- Medium/Format
- DCP
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#43.6
Influenced by the work of logician G. Spencer Brown, whose book Laws of Form is a wonderful account of a new kind of logic.
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#3
Images for this work were created by recording the movements of a tiny light source with extremely long exposure times, drawing traces on the emuls
-
#11, Marey <-> Moiré
Featuring images generated by revisiting the chronophotographic techniques of Étienne-Jules Marey, this film deals with the discontinui