A meditation on the illusion of filmmaking, shot behind the scenes of a film being made on the other-worldly beaches of Morocco in silvery black-and-white 16mm CinemaScope. The film depicts strange activities, with no commentary or dialogue; it appears as a fragment of film, dug up in a distant future – a hazy, black-and-white, hallucinogenic world.
Also in this combined programme
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An Old Dog’s Diary
An Old Dog’s Diary assembles, in puzzle-piece evocations, a portrait of Indian avant-garde painter Francis Newton Souza, revealing the cultural condit
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Half Human, Half Vapor
Outsider artist Vandercar sculpted in his garden. Rumour has it that he was also adept at telepathy. After his death the spirits still seem present.
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Vivir para vivir
The Californian desert, an ECG and sine waves: Live to Live uses bodily processes ranging from heartbeats to orgasms to create structure.
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Remembering the Pentagons
Sensual, lyrical depiction of the filmmaker’s earliest memories of the overwhelming smells and colours of Iran.
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Still Light
Homage to New Zealand poet and filmmaker Joanna Margaret Paul has the same radical simplicity as her work. Fresh, sweet film poem with a beautiful lem
Film details
- Country of production
- UK
- Year
- 2015
- Festival edition
- IFFR 2016
- Length
- 18"
- Medium/Format
- 16mm
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