Consists entirely of found footage from the early days of cinema. These exquisitely processed images (using split screens and freeze frames) serve to ‘illustrate’ an exciting cinematic version of the short story The Walk (1917) by Swiss modernist Robert Walser.
Also in this combined programme
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Behind the Looking Glass
This self-portrait of an emblematic face from Yugoslav cinema since the 1970s is composed of film clips and lots of reflections.
Film details
- Country of production
- UK
- Year
- 2012
- Festival edition
- IFFR 2013
- Length
- 50"
- Medium/Format
- DCP
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