IFFR 2012

#3 is a film with pure light. The images were created by recording the movements of a tiny light source using extremely long exposures, so that it draws traces on the emulsion. The light is part of a simple mechanical system that exhibits chaotic behaviour.

Signals: Regained

Kubelka strips the images down to their black-and-white essentials, to create the ultimate abstract film choreography.

Adebar

Fascinating masterpiece of documentary from the 1970s. Its charm, freshness and complexity defy short explanation. Shot on video, transferred to 16mm and now finally restored. Highly pregnant, wandering hippie Anna is picked up by Sarchielli. About real people, real love and the camera’s role.

Anna

The protagonist’s flashbacks, nightmares and daydreams are populated by film legends: Hayworth, Deneuve, Piccoli, Visconti, Bardot, and above all Burt Lancaster. But what about about this image of Godard catching dead fish? Blutch paradoxically celebrates his cinephilia by establishing an iconoclast pantheon.<br />Daily, 18:00-19:00, on the video wall in the Rotterdamse Schouwburg.<br /><br />

IFFR 2025
30 Jan – 9 Feb 2025

Pour en finir avec le cinéma

Signals: Regained

#3

Adebar

Anna