Versions

Placed in a historical perspective, this copyright manifesto goes back as far as the Classics and sixteenth-century iconoclasm. The film brings up numerous examples of reuse, such as classical literature and its followers, copies of classical sculptures, cam movies, Photoshopped news photos, and reuse of the same scenes in various animation films, to demonstrate that reuse is nothing new. Consistently maintaining this position, Laric has made various versions of this film.