Jeanne Faust showcases the simulation of an image in expounding the re-narration and re-enactment of that image. Here mimesis is evident in the behaviour of the film’s actors, leading both to the fictive recounting and the physical emulation of a prototype. Conceptual forms of image analysis form the topos of her work.
Enthralling re- and de-constructions taking on no less weighty subjects than Damon Albarn, Marxism, the Summer of 1977, Greco-Classical Antiquity and Zionism.