Layered, double-exposure images in high contrast black-and-white: 16mm maestro Robert Todd gives the film material itself more space in Rayning, yet still uses his camera with great sensitivity. ‘Light rayns-rains-reigns across a dream of tranquility that thickens, darkens and evaporates.’ (RT)
Also in this combined programme
-
In the Absence of Light, Darkness Prevails
Eclectic hotpot shot in an overheated Brazil. People are oppressed, baby turtles swim out to sea and our culture decays. -
Cry When It Happens
Melancholy L.A. How a landscape is coloured by intense desire. You want to hang onto it for as long as possible, but it slips away. -
Shutter
Shutter tracks the rising sun, the lengthening shadows and the darkening day of a total solar eclipse. -
This Is Not Dying
Colour separation and Ben Tawhiti’s whistling, humming and pedal steel allow Nova Paul’s marae to defy rules of time and space. -
Garden
Patterns of grasses, trees and flowers meld, accompanied by the rousing music of Japanese experimental jazz band the Samurai Jazz Quintet. -
Ouverture
Camera improvisation in Cinemascope transforms the meagre light in an old Normandy shed into an abstract kinetic light show. -
Ville Marie
The point of view of a person falling from the top of a high-rise building. Shot on Super-8 and beautifully mastered with optical printing techniques.
Film details
- Country of production
- USA
- Year
- 2011
- Festival edition
- IFFR 2011
- Length
- 7'
- Medium/Format
- 16mm
