The original film shows Haarlem through straightforward images and camera movements. Decay of the film stock means the images have changed dramatically. This adaptation of Willy Mullens’ archive film Haarlem (1922) zooms in on these effects using digital techniques such as ‘optical flow’ and ‘morphing’.
Also in this combined programme
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Majesteit
Video poem by eddie d in which pompous rituals around ‘Prinsjesdag’ are exposed and reduced to their very essence by means of canny editing. -
Flashings in the Mirror
Flashings in the Mirror is a video composed of shared flashing-in-the-mirror photos, found via Google Images. -
Everytime
With a reinterpretation of a pop song released in 2004 by Britney Spears, this video demonstrates how reality and (mass) media today are strongly inte -
Birth of a Nation
How to become an ideal woman? At a cadet school in Moscow, girls are trained to be ideal citizens of the homeland. A research on… -
Brothers of Metal
Heavy metal witnessed its heyday in the 1980s as a controversial and loud music genre, with a dedicated fan base. Metal knows many subgenres… -
City of Progress
This animation shows how a city grows organically from a small dot to a complicated system of lines and forms in which our desire for… -
The Origin of Creatures
Futuristic vision of a world after a catastrophic disaster. Dark parable in which miscommunication makes it hard for the mutated limbs to cooperate. -
Dawn
Second part of a diptych by Erwin Olaf which consists of Dusk (2009) and Dawn (2010). The latter is almost literally a negative pendant to…
Film details
- Country of production
- Netherlands
- Year
- 2010
- Festival edition
- IFFR 2011
- Length
- 8'
- Medium/Format
- 35mm
