This documentary examines several cinematic novelties that are part of the ‘Rerberg’ series and tells the story of the artistic journey and dramatic fate of one of the brightest Russian directors of photography, Georgi Rerberg. During the time when Georgi Rerberg worked in the cinema he shot a number of outstanding films. Some were with Andrei Konchalovsky, but probably the best known of all is Andrei Tarkovsky’s Mirror, a classical piece of filmic art and an indispensable part of the world’s cinematographic heritage. Rerberg comes from a well-known dynasty of artists who were reflecting on the crisis of human relations in the totalitarian society of the USSR, as Georgi Rerberg did himself during the shooting of Stalker, another masterpiece by Andrei Tarkovsky. Rerberg and Tarkovsky. The Reverse Side of ‘Stalker’ is a film very rich in factographic material and is a unique occasion for all film lovers to view material uncovered by director Igor Mayboroda in his research that has been unknown until now. In terms of rediscovering Soviet film history as well as getting to know the fascinating person of Georgi Rerberg, the artist hidden behind his camera, this is a true pearl. (LC)
Film details
Productieland
Russia
Jaar
2008
Festivaleditie
IFFR 2009
Lengte
140'
Medium/Formaat
35mm
Taal
Russian
Première status
European premiere
Director
Igor Mayboroda
Producer
Igor Mayboroda, Maria Chistyakova
Screenplay
Igor Mayboroda
Editing
Igor Mayboroda
Production design
Igor Mayboroda
Sound design
Leonid Dragilev
Cinematography
Pavel Lebeshev, Uri Klimenko, Vadim Alisov, Igor Klebanov, Uri Raiski, Uri Lyubshin, Sergei Machilsky, Sergei Kozlov, Valentin Piganov, Radik Askarov, Alexander Negovsky