This shape-shifting portrait of Los Angeles was first screened in 2003. A different version now exists with a fresh soundtrack (by Carl Stone) in a newly struck 35mm print. The title, according to O’Neill, ‘refers to the divisions between individual frames arranged one above the other on motion-picture film.’
A landscape, viewed in detail, often reveals particularly strange elements. And depending on the perspective, each view appears as nothing more than the close-up of…
