Futur anterieur (aka Disciples of the Heinous Path - Part 1: The Pain of Everyone)

An anti-retinal meditation on life and death. The avant noise-quartet Spasm plays an intense set, as usual in pitch dark. The concert recording involved six cameras (including a top shot). The editing respects the different viewpoints and uses the LED’s of the guitar amplifiers as a reference. After the musical climax, the dark film tilts into another world - language, light, silence - which is completely different and maybe identical, after all. The blinding dark at the end of the tunnel.