‘My own technique for producing films in the darkroom is basically like that of Man Ray: objects (usually filmstrips, but here also things) put on the unexposed film and re-lit frame by frame. Dream Work is my homage to Man Ray and at the same time it’s dedicated to the beginning of the European avant-garde film within the surrealist movement.’ (Peter Tscherkassky)
Also in this combined programme
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Twilight Psalm II: Walking Distance
Phil Solomon, magician of film-chemical manipulation, has developed his very own original visual language in the course of his career. Walking Distanc -
Le retour à la raison
The first work from film history that was created without a camera in the darkroom – at least partly.
Film details
- Country of production
- Austria
- Year
- 2001
- Festival edition
- IFFR 2007
- Length
- 11'
- Medium/Format
- 35mm
