Béa

The young, handsome, rural Benoît is down in the dumps and wants to do something good for humanity. He reports to the organisation 'Pensioners without Christmas'. The director is clear: 'Be friendly, polite, effective, but don't exaggerate.' However, he isn't prepared for the calibre of Béa, the old lady with whom Benoît goes to dinner. A simple interaction turns out to be a psychological swing door, in which the perspective keeps changing. In the end, it isn't so clear who is performing a service for whom.