Land rejects the dream imagery of the historical trance film for the self-referential present, using macrobiotics, the language of advertising, and a speed-reading test on the definition of hokum. The alienated filmmaker appears, running uphill to distance himself from the lyrical cinema, but remember: ‘This is a film about you, not about its maker.’
Also in this combined programme
-
Bardo Follies
A shot of a Southern Belle waving to a group of tourists on a pleasure boat ride is looped, multiplied and then melted, creating psychedelic… -
Film in Which There Appear Edge Lettering, Sprocket Holes, Dirt Particles, Etc.
This film takes the view that certain defining characteristics of the medium, such as those mentioned in the title, are worthy subjects in their own… -
Institutional Quality
The film is constructed around a found soundtrack in which a strict female voice delivers a test of perception and comprehension. As this test continues,… -
Fleming Faloon
A cinematic equivalent to the illusionistis portraiture of the Flemish painters. In his first 16mm film, Land proposes that if we accept the reality offered… -
On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and its Relation to
‘Two pandas, who exist only by textual error, run a shell game for the viewer in an environment with false perspectives. They posit the existence… -
What’s Wrong With This Picture? 1
A found, utilitarian object – the overtly moralising educational film How To Be a Good Citizen – is elevated to the status of ‘art’. The… -
What’s Wrong With This Picture? 2
As Land and his students were testing a new video camera, an elderly man began to talk to them about new technology. This impromptu conversation…
Film details
- Country of production
- USA
- Year
- 1970
- Festival edition
- IFFR 2005
- Length
- 5'
- Medium/Format
- 16mm
