Much of the footage that comprises Orchard is of a 19th century ruin that included a walled orchard in an area known as Rostellen in southwest Ireland. It is set deep in the woods and the crumbling brick and mortar of the broken walls have become the anchor for the roots of slender trees, so uninhibited for all this time that they reach 20 feet in height and have thick roots that follow like slow lazy trickles of water, and in other places branch and wind over the brickwork in an apparently intelligent arterial arrangement, reminiscent of the human body. Some footage of Central Park is in there, as well as Niagara Falls, the main Dublin to Cork road and a thin smoking woods on the outskirts of Rosslare, Co. Waterford. All these facts seem somewhat incidental to the film’s eventual form, though. (Julie Murray)
Also in this combined programme
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Ssitkim: Talking to the Dead
An investigation into the military involvement of South Korea in the Vietnam War is as much digging as exorcism.
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Anaconda Targets
Fragments from the battle between coalition troops and fighters for Al-Qaida and the Taliban.
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Let Me Count the Ways
Series about terrorist violence investigates personal memories, archive material and images of fear.
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End In New World
Child-friendly version of geo-political cosmologies, brats and the destruction and creation of worlds.
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Soothsayer
Dizzying collage of predictions of disasters, calamities and political crises by famous clairvoyants.
Film details
- Countries of production
- Ireland, USA
- Year
- 2004
- Festival edition
- IFFR 2005
- Length
- 9"
- Medium/Format
- 16mm
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