INDEX releases and distributes audiovisual publications of mostly Austrian abstract works. Granular Synthesis goes from a few expressions on the face of the performer Akemi Takeya to a frenzied exploration of the alter ego. Any known context of meaning ends in the dissolved movements, is stalled in denaturalised redundancy, in machine pain. The semantic void is too loud to be amenable to meditative reception. The frontal images and the rhythmic structures generate contradictory emotions and great strain. Entertainment is offered and almost violently denied.