The South Korean director Kim Ki-Duk is known to many as a maker of violent films with a radical and often shocking view of Korean society. People who gave up watching The Isle, can however this time enter the cinema without fear to see Kim Ki-Duk’s serene and breathtaking meditation about the essence of life. No one is immune for the power of the seasons and their yearly cycle of birth, growth and decay. Not even the old and the young monk who live as hermits in a floating monastery on a lake surrounded by mountains and trees. In the spring, the young monk in his cruel innocence binds stones on the backs of fishes, a frog and a snake. For punishment, he has to carry a stone on his own back as he looks in the stream for the frog and the fish he mistreated. When the boy is 17 (in the summer), a girl comes to the monastery. The young monk soon experiences the meaning of love and obsession. In the third episode, autumn, the boy returns from the mountains as a 30 year old. The old monk finds him when he wants to commit suicide in front of the statue of the Buddha. He makes him carve the Pranjaparpamisutra in the wood to rediscover his tranquillity. As an adult man, the monk (now played by Kim Ki-duk himself) returns to the deserted monastery. A woman leaves her newly born son with him. In the last part of the film, it is against spring and we see an old monk and a child…
