Using different techniques (animation, agitprop, montage, found footage, documentary and digital processing) the observation of war is viewed from different perspectives in six interrelated parts. The subject `war’ evokes an insurmountable number of questions and is therefore incomprehensible. In a fragmentary process of an endless ensemble of possibilities, they try to organise their own perplexity about the war in Iraq.
Since the Gulf War in 1991, warfare and reporting it have become hyper technological affairs, in which real and computer-generated images cannot be distinguished any…