Often implicating the viewer in a voyeuristic situation, Dwoskin uses the camera as an extension of the eye – looking and capturing spontaneously as it relates, responds, feels about the other (the model), the eyes being the extension of the ‘mind’. In this film, these staged meetings take place in retrospect.
Also in this combined programme
-
-
What Goes Up
Breer’s personal take on the everyday in images that zoom past us like a flashback of a thousand perfectly lived moments, a four-minute epic.
-
short films
-
-
Dear Frances
Recognisable mourning in this portrait of Frances Turner, a friend of the maker who died suddenly last year.
-
short films
-
-
Dad
Small everyday gestures are turned into monumental moments of tenderness and respect.
-
short films
-
Film details
- Country of production
- UK
- Year
- 2003
- Festival edition
- IFFR 2004
- Length
- 20"
- Medium/Format
- Betacam SP PAL
You may also like this
-
Le Film du Japon
This is Veilhan’s first film as such. He took advantge of the situation (a relative innocence and lightness of the production) to return to the first applications of cinema for both science and entertainment (Marey, Lumière, Méliès). As in his sculptural pieces, Veilhan likes to make up his work of little scenes, punctuated by combat […]
-
short films
-
-
Kinetic
Film based on several kinetic objects by the artist Mark Bischof, in which rolling glass marbles play an important role.
-
short films
-
-
A Hole in the Ground
The Farter Family does Hank Williams; or a Dutch sketch of a Yankee family drama.
-
short films
-