Often implicating the viewer in a voyeuristic situation, Dwoskin uses the camera as an extension of the eye – looking and capturing spontaneously as it relates, responds, feels about the other (the model), the eyes being the extension of the ‘mind’. In this film, these staged meetings take place in retrospect.
Also in this combined programme
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What Goes Up
Breer’s personal take on the everyday in images that zoom past us like a flashback of a thousand perfectly lived moments, a four-minute epic.
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Dear Frances
Recognisable mourning in this portrait of Frances Turner, a friend of the maker who died suddenly last year.
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Film details
- Country of production
- UK
- Year
- 2003
- Festival edition
- IFFR 2004
- Length
- 20"
- Medium/Format
- Betacam SP PAL
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