Sad and concrete shots of visitors to concentration camps form the basis for an exuberant distortion of the images. The makers: ‘The camera wanders through the Death Camps Buchenwald, Mittelbau Dora and Bergen Belsen in Germany. With every step the camera takes through the entrance to Buchenwald, it also takes a step back. Is it possible to really step into a concentration camp, if you are not a victim of it?’