The observing gaze is the common denominator in the work of Zandvliet. His paintings are concentrated representations of a car mirror, an aircraft window, a television screen, a camera lens; rather unspectacular motifs, but they all deal with looking and making visible. Zandvliet poses the question of how we perceive the world around us. He demonstrates a good sense of reality by including in his answers not only artistic traditions but also contemporary media.
- Director
- Robert Zandvliet
- Country of production
- Netherlands
- Year
- 1997
- Festival Edition
- IFFR 2002
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