‘My own technique for producing films in the darkroom is basically like that of Man Ray: objects (usually filmstrips, but here also things) put on the unexposed film and re-lit frame by frame. Dream Work is my homage to Man Ray and at the same time it’s dedicated to the beginning of the European avant-garde film within the surrealist movement.’ (Peter Tscherkassky)
Also in this combined programme
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Exposed
feature scene gets a new context through image manipulations on the optical printer, with a sieve effect as a result. -
The Dreams
Experimental abstraction, based on dream experiences and with an acoustic artwork by Bary Bermange as starting point.
Film details
- Country of production
- Austria
- Year
- 2001
- Festival edition
- IFFR 2002
- Length
- 11'
- Medium/Format
- 35mm
