A not = A or for Devatas who keep on Dancing
Aphorisms criticising the mass media tumble over flickering white noise with the hypothesis that the true revolution only happens when the image denies itself. Whether this data art denies itself, is difficult to say. It is, in any case, proof of the broad commitment to the foundations of the media, a process in which streams of data that shape our culture find their way into our sensual and aesthetic consciousness.
Also in this combined programme
-
Look at me Standing Here
Digital manipulations turn a street scene into an endless affair and suggest a whole range of emotions. -
The 2001 Dedications (1-3)
A triple commemoration of one of the most famous of the film classics, as it was aired on television last year. -
Brain Becoming Digital Prototype
To what extent is the image of our brain on a monitor, the reflection or rather a construction of our mind? -
Come Softly
A provocation that conjures up fantasies and fears through the imagery of aeroplanes and gay erotica. -
Bardosphère
A tape that focuses uncompromisingly on the building blocks of every television and computer image: the pixel.
Film details
- Country of production
- Japan
- Year
- 2000
- Festival edition
- IFFR 2002
- Length
- 15'
- Medium/Format
- bijzondere asp.ratio NTSC
