Cutting and sewing as metaphors. Central to this work are the complex emotions surrounding love, separation, and the metonymic twinning of objects, including that of edited image and saturated sound.
Also in this combined programme
-
The Ground
In the space which film creates, emptiness acquires a contour strong enough for the spectator to see more than image – a space permitting vision… -
From the Notebook of…
Perhaps Beaver’s most masterful work of structural harmony, binary contradictions and self-reflexive form.
Film details
- Countries of production
- Italy, Switzerland, USA
- Year
- 1980
- Festival edition
- IFFR 2001
- Length
- 14'
- Medium/Format
- 16mm