A canary, a dog, a cat – even a fish. The young couple employed by the pet crematorium collect them all. She mumbles something about forms that have to be filled in at this difficult time and ashes that will be returned within 24 hours. He wraps the departed pet in a blanket and puts it in the back of the jeep. They hardly speak during the rest of the day. They drive through a post-apocalyptic landscape on the shabby periphery of an industrial city. They make love, swim and are surprised by the large numbers of dead animals strewn along the roadside. When they hit a stray dog, their relationship starts to derail. The universe has lost its harmony.

In Kala azar, the camera regularly hangs at dog's eye level, so we see mainly feet and legs. Humans and animals communicate in similar ways: without words, with a growl and a shove. This also applies to the girl's parents, who live with a pack of dogs, and the silent migrant workers in a dusty chicken hatchery. Only the hunters at the neighbouring shooting range are loud and heartless – a different archetype.

Kala azar is named after an infectious disease decimating the canine population of Southern Europe. But this enigmatic debut is mainly about the thin line between life and death, the spiritual connection between human and animal and the fragility of love between humans.

Screenings

  • Sat 25 Jan de Doelen Jurriaanse Zaal
    Tickets
  • Sun 26 Jan Pathé 5
    With Q&A
    Tickets
  • Mon 27 Jan Pathé 2
    With Q&A
    Tickets
  • Wed 29 Jan Cinerama 3
    Tickets
  • Thu 30 Jan LantarenVenster 2
    With Q&A
    Tickets
  • Sat 1 Feb LantarenVenster 5
    With Q&A
    Tickets
Filmmaker
Janis Rafa
Premiere
World premiere
Country
Netherlands, Greece
Year
2020
Medium
DCP
Length
85’
Language
Greek
Producer
Digna Sinke, Konstantinos Kontovrakis, Giorgos Karnavas
Production Company
SNG Film, Heretic
Sales
Heretic Outreach
Writer
Janis Rafa
Cinematography
Thodoros Mihopoulos
Editor
Patrick Minks
Production Design
Elena Vardava
Sound Design
Marc Lizier
Cast
Pinelopi Tsilika, Dimitris Lalos, Michele Valley, Tasos Rafailidis