Ine Lamers

Ine LAMERS is a visual artist working in Rotterdam. Her practice is based in photography and has expanded over the years into video, drawing and mixed media installations. Lamers’ work has been exhibited widely including at Nederlands Fotomuseum (Rotterdam), Centraal Museum (Utrecht) and den Bosch Fries Museum (Leeuwarden). Internationally, she has shown at MMOMA (Moscow), Neuer Berliner Kunstverein (Berlin) and Akureyri Art Museum (Iceland). She has had solo exhibitions at Museum Boijmans van Beuningen (Rotterdam), Ron Mandos Galerie (Amsterdam), Motorenhalle (Dresden), PERMM Museum of Modern Art (Russia). Festivals in which her work has been shown include IFFR, Vermont International Film Festival, (Burlington, USA), Kunstfilmbiennale (Cologne) Viper (Basel) and Rencontres Internationales (Paris, Berlin). Ine Lamers studied at AKI, Enschede, and attended the Jan van Eyck Academie in Maastricht from 1987 to 1989. In 2019 she started the film project The Radiant Screen, as part of rounding off a long year of artistic research on closed secret cities in Russia, titled Proyekt Z. The Radiant Screen is also the title of a publication that informed the script – each completed in 2023–2024 and complementing one another while nevertheless operating autonomously.

Filmography

(all instal) Surveillance (1998/1999), Conspiracy Spray (2000), 1 or 2 things I know about Chisinau (2002–2005), Tolyatti Sonata (2004–2007), NOT SHE (2005), brilliant blues (untitled) (2005), progressive oblivion (2006), ustala (2007–2009), Smyshlyevka, study of a Russian landscape (2008), How many times can one repeat the same thing (2009), White Nights (to F.) (2010), Donnerstag (2011), Ochered (the rehearsal) (2012–2014), Limbo (2014–2016), Fever is a bliss (2020), The Radiant Screen-no more coats and no more home (2020–2022), Limbo II (2022)