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29 Jan – 8 Feb 2026

Harbour

Overzicht van films

  • Convenience Story

    Miki Satoshi | 97' | Japan | European premiere

    After stumbling into an abandoned convenience store, failing screenwriter Kato falls into a fantastically quirky adventure.

  • Corazonada

    José Manuel Cravioto | 89' | Mexico | International premiere

    Can the official overseers of Mexico’s grand lottery succeed in defrauding the system? Find out…

  • Cosmic Miniatures

    Alexander Kluge | 94' | Germany | World premiere

    Created using AI, 91-year-old IFFR veteran Kluge’s latest work is a masterpiece of its own.

  • The Cursed Land

    Panu Aree, Kong Rithdee | 128' | Thailand | World premiere

    The Cursed Land distils the spectres of Thai history into a thrilling, time-hopping horror film.

  • D is for Distance

    Christopher Petit, Emma Matthews | 88' | Finland | World premiere

    A heartbreaking, far-reaching essay on the epilepsy of Louis Petit as documented by his parents.

  • Koolhoven Presenteert 1

    Genre films by six talented Dutch filmmakers take centre stage.

  • Dalva

    Emmanuelle Nicot | 87' | Belgium | Dutch Premiere

    A (be)coming-of-age story about a teenage girl’s trauma-shaped identity and rebirth of her youth.

  • Daniel Auerbach

    David Volach | 105' | Israel | International premiere

    A tragicomedy from real life and a profound exploration of the Jewish Israeli identity.

  • Davos

    Julia Niemann | 99' | Austria | None

    Each year a small town in the Swiss mountains receives a caravan of CEOs and heads of state. A tale of two towns.

  • Dead Dog

    Sarah Francis | 92' | Lebanon | World premiere

    A long-estranged Lebanese couple reunites in this dissection of a forgone marriage.

  • Dead Lover

    Grace Glowicki | 86' | Canada | European premiere

    A gravedigger resurrects her dead lover in this hornily hilarious, grotesquely stylish genre mashup.

  • Deadly Love Poem

    Garin Nugroho | 105' | Indonesia | International premiere

    The giallo genre meets Indonesian spiritual mythology in Garin Nugroho’s dazzling revitalisation of horror tropes.