Amnesia
A chilling cautionary tale, Amnesia is a stark and uncompromising portrayal of the escalation of xenophobic sentiment in a neo-conservative climate.
1'
USA
IFFR 2020
Jeanne, who lives with her teenage son, fills her empty life with an endless checklist of chores. She cooks, cleans, shops, and every afternoon, in the window of time it takes for the dinner potatoes to boil, she has sex for money with a gentleman caller. Three days in the repetitive existence of this middle-class widow in her forties are revealed through static, head-on compositions and unblinking blocks of real time.
A cornerstone of feminist cinema, the film was made with about 80 per cent women in the crew, including cinematographer Babette Mangolte and editor Patricia Canino. The film remains a frequent subject of scholarly and critical analysis on aspects ranging from women’s social experience and gendered identities to cinematic form and psychoanalytic film theory. For Akerman, who grew up in a devout Jewish household in Brussels where “life was organised by rituals”, it is above all a very personal film: “It came from what I saw as a kid − all those gestures of my mother. That’s why the film is so precise.”
Thanks to Collections CINEMATEK − @ Chantal Akerman Foundation.
IFFR 2020
Programme IFFR 2020
Filmmaker Beth B personally provides context to her recent portrayal of provocative artist Lydia Lunch, from the vantage point of female identity, power and sexuality.
Read more about this programmeA chilling cautionary tale, Amnesia is a stark and uncompromising portrayal of the escalation of xenophobic sentiment in a neo-conservative climate.
1'
USA
IFFR 2020
Barbie returns from shopping. She takes her groceries out of the bag and takes out a little Barbie doll which she then fries and eats.
10'
USA
IFFR 2020
A number of somber talking heads frankly describe their most personal and perverse attitudes on sex, violence and other family matters.
13'
USA
IFFR 2020