2017 marks the 50th anniversary of the death of actress and sex symbol Jayne Mansfield in a bizarre car accident – a great opportunity to look back at her colourful life. If the documentary Mansfield 66/67 makes one thing clear, it is that the term ‘post-truth’ is not a recent phenomenon. The makers deliberately choose to put forward many different, conflicting visions of the ‘blonde bombshell’. Was Mansfield, who had Marilyn Monroe as competition in the 1950s, a living cartoon, a camp character – or was she very gifted and blessed with talents other than her ample bosom, to which film titles such as Kiss Them for Me semi-humorously referred? And was her death the result of a flirtation with the Church of Satan, or just bad luck? The exuberantly designed Mansfield 66/67 – as over-the-top as Jayne herself – also shows the contrast between the 1950s and the 1960s, which brought a new generation of more politically aware actresses to the fore, replacing the three Ms: Monroe, Mansfield and Mamie (Van Doren).
Film details
Productielanden
United Kingdom, USA
Jaar
2017
Festivaleditie
IFFR 2017
Lengte
96'
Medium/Formaat
DCP
Taal
English
Première status
World premiere
Director
Todd Hughes, P. David Ebersole
Producer
P. David Ebersole, Todd Hughes, Larra Anderson
Cinematography
Larra Anderson, John Tanzer
Editing
Todd Hughes, P. David Ebersole, Luke Smith, Joel Maudsley