“Whereas other bands smash up expensive guitars, we use rubbish”, says one of the members of controversial duo Bamseom Pirates while picking up an old printer lying amongst the junk in an abandoned university building. They prefer to play here rather than in Seoul’s hip concert venues. With heavy irony, they announce their ‘relaxing’ music: a blast of noise called grindcore. They play bass and drums, but use also anything they can get their hands on to make music. Their angry punk attitude is aimed against the established order in South Korea. Many of their numbers have led to controversy and rows, which they warmly welcome. In his debut Non-fiction Diary, filmmaker Jung expanded an infamous real-life murder from the 1990s into an analysis of stumbling faith in progress in Korea. His second film starts as a noisy musical portrait, growing into a statement on youthful resistance against the capitalist powers that be.