For the Damaged Right Eye
Tsuburekakatta migime no tame ni
Described by the director as ‘an expression that deeply cuts into the core of the contemporary’, the overlapping triple-projection of For the Damaged Right Eye sees Matsumoto Toshio capture a spectrum of activities from politics to play in late-1960s Shinjuku with feverish simultaneity.
Ook in dit verzamelprogramma
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Inner Man
Juxtaposing a dancing naked man and a woman dressed in a traditional kimono, the playful film sees Japanese feminist artist Idemitsu Mako encourage cr -
4 Eyes
Projecting two 16mm prints of the same film with a time delay, artist Tanaami Keiichi’s psychedelic trip expresses the mind slipping out of consciousn -
At Any Place 2
Andy Warhol’s Campbell’s soup is swapped with cup noodle by artist Idemitsu Mako in a mockery of the reverence of everyday objects in pop art. -
Great Society
With six simultaneous 16mm projections, Oe Masanori and Marvin Fishman mix newsreel footage into a collage that captures 1960s United States at a feve -
Illusion City
Japanese animator Shimamura Tatsuo captures the energy of city life and its continuous transformation in this lively 1960s animation with a range of g -
Why
The experimental animation by artist Tanaami Keiichi captures the intensity of a boxing fight by freezing and stretching the moment between a punch an
Film details
- Productieland
- Japan
- Jaar
- 1968
- Festivaleditie
- IFFR 2016
- Lengte
- 12'
- Medium/Formaat
- 16mm
