‘[A] movie’s reality should be as nasty and fucked up as possible, so we want to get the fuck out of the theater and hope for something better in life…. I try not to have a message or even word in my movie. But I usually have some sick stories behind each of the movies. Those are just mental eye candy that it tastes sweet first, seizure second.’ (SS) A dynamo whose thunderous potential was cut short by his premature death in July, 2012, Japanese moving-image artist Stom Sogo was a romantic rebel if ever there was one. For over two decades he created a hair-raising, retina-burning body of distinctive and aggressively beautiful films and videos. His psychically charged work revels in optic and aural attacks just as much as it attempts a sincere connection with the viewer. (Andrew Lampert)