Im Freien
The inaccessible landscape of Iceland functions as an arena for a fascinating and cinematic double pass between Sackl and his modified 16mm camera. Wherever they are, an image is photographed every three minutes, three months in a row. Fickle weather conditions and shortening days shape the image and enter into a dialogue with introduced sculptural elements. The concept is maintained right up to the final credits, shot on location.
Also in this combined programme
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Big in Vietnam
Diop, who won a Tiger Award in 2010 with her short Atlantiques, has two new films including this mysterious tale of a director who gets distracted dur
-
the meaning of style
A deceptively complex Malaysian reverie featuring a cast of skinheads, butterflies and the sounds of Gruff Rhys and Y Niwl in perfect harmony.
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Springtime
Maker Eisinga described this performance – which people can now watch – as ‘a liberating experience’ during which his body was taken over by insects.
Film details
- Country of production
- Austria
- Year
- 2011
- Festival edition
- IFFR 2012
- Length
- 23"
- Medium/Format
- 35mm
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Big in Vietnam
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Light Escapes Through the Intervals
An attempt at thinking without language. Point-of-view, observation, flexibility… and surf!