It starts with the return of the prodigal son, when a certain Anberber returns to his old mother in a village on the Ethiopian Plateau in the latter days of the Marxist reign of terror of dictator Mengistu. He has lost a leg and his memory, and shows little respect for local religious traditions. When people use consecrated water to drive out his demons, his memory returns. Then Anberber describes in flashbacks, supported by his narrative voice, his period as a medical student in Germany. He talks about the utopian revolutionary expectations that seemed to come true after the overthrow of the regime of Emperor Haile Selassie in 1977 in his homeland. However when he goes to Ethiopia to help his old school friend in hospital, Marxism in practice turns out to be a cruel and oppressive ideology. Anberber cannot be anything more than a plaything for the military junta, but on his return to Germany he finds that he is above all black, and only after that a person. The question remains: what can he mean to his country and his compatriots? Teza is an epic about the turbulent history of Ethiopia seen from the perspective of a moderate intellectual who tries to maintain his integrity in barbaric circumstances. The tone is not too bombastic and, despite so much misery, a dripping tap is the greatest torment. The Ethiopian landscape forms a beautiful backdrop.
Film details
Countries of production
Ethiopia, France, Germany
Year
2008
Festival edition
IFFR 2009
Length
140'
Medium/Format
35mm
Language
Amharic, English, German
Premiere status
None
Director
Haile Gerima
Producer
Haile Gerima, Karl Baumgartner, Marie-Michèle Cattelain, Philippe Avril
Screenplay
Haile Gerima
Cinematography
Mario Masini
Editing
Haile Gerima, Loren Hankin
Production design
Patrick Dechesne, Alain-Pascal Housiaux, Seyum Ayana
Sound design
Martin Langenbach, Umbe Adan
Music
Jorga Mesfin, Vijay Iyer
Production company
Negod-Gwad Production, Pandora Film Produktion, Unlimited, WDR