La Baguette is, just like The New Life, at first sight an apparently clumsy wrestling match between two men in a closed space. They attack each other but their duel is obviously staged and, thanks to the friendly looking slow motion movements of the characters, it hardly looks aggressive. The alienation this evokes is not by chance. Cameron Jamie himself grew up in an American suburb dominated by mainstream culture and with both films he looks at the manipulated ‘ideal’ personifications of the American way and the apparently benign visual language. In La Baguette, the director in disguise attacks a later compatriot in an anonymous bar in Bordeaux. Jamie has been living in France since 2000.
Also in this combined programme
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Upland BB Fighting Follies
Extremely raw video compilation that looks at the early backyard wrestling movement in Southern California, strictly made as a personal study while
-
The New Life
With this almost wordless orchestrated wrestling match in a small apartment, Jamie sets one of his favourite characters, the popular lucha libre wr
Film details
- Countries of production
- France, USA
- Year
- 1997
- Festival edition
- IFFR 2008
- Length
- 5"
- Medium/Format
- Betacam SP NTSC
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