In her recent video works, the artist focuses on the peculiar interactions that take place between our human constructs and the "natural" world. Lisa DiLillo instigates situations where a variety of insects and birds interact with automatic voice recognition systems, clocks, diagrams and monetary transactions. These confrontations often result in erroneous interpretations and technological cul-de-sacs. In This Call May Be Monitored, the fleeting sense of triumph over a technology meant to convenience the corporation in stead of the individual quickly dissipates as the viewer recognises that the corporation itself is not affected by this encounter whatsoever.