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‘This film started out as a series of abstract miniatures that were rendered into life by a million flashlit moments. Loretta insisted upon herself, and the evidence is an absolute aria, dissolving into the infinite.’ [J.L.]
Also in this combined programme
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The Whole Other Side to My Busyness
A mistake made when exposing a 16mm film resulted in a layered portrait, in a literal and metaphorical sense. -
Papillon d’amour
Manipulated fragments from Akira Kurosawa’s film Rashomon (1950) create a new powerful and evocative scene. -
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Stereo # 1: Erasing / That Thou Wilt
Thirty short fragments rather like music videos based on the dream sleep of Charlton Heston. -
Begegnung im All
A jubilant tumble of archive material about a man in an unknown extra terrestrial area. -
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Clods
A rhythmic visual fantasy inspired by the wondrous paintings of Jacob Maris about peasant life and mysterious beets.
Film details
- Country of production
- USA
- Year
- 2003
- Festival edition
- IFFR 2004
- Length
- 4'
- Medium/Format
- 16mm
- Premiere status
- International premiere
- Director
- Jeanne Liotta
- Producer
- Jeanne Liotta
- Sales / World rights holder
- Jeanne Liotta
- Cinematography
- Jeanne Liotta
- Editing
- Jeanne Liotta