The film is primarily a composition of a series of shots of construction sites and Icelandic landscapes, seen through several colour filters, to which effects have been added to manipulate the duration. The construction sites and landscapes look static, but seen over a longer period, both are constantly evolving.
Also in this combined programme
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Worst Case Scenario
Quiet observations on Viennese street corners acquire more and more (strange) life as the film progresses. -
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The Bee Hive
‘For “The Beehive” I started with the nature film as a working template to depict the magic within an experience of the every day. The… -
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Film details
- Country of production
- Denmark
- Year
- 2002
- Festival edition
- IFFR 2004
- Length
- 19'
- Medium/Format
- 35mm
