Für mich gab’s nur noch Fassbinder
Für mich gab's nur noch Fassbinder
In ‘Für mich gab’s nur noch Fassbinder!’ – Die glücklichen Opfer der Rainer Werner F. (to quote the complete title), Von Praunheim provides a beautiful portrait of the enfant terrible of German cinema who died in 1982. Von Praunheim describes his personal attitude to Fassbinder as follows: ‘Fassbinder, I knew him when he was starting out, and I couldn’t like him. I was jealous of him, envious, and I never liked melodrama. It was only after his death that I really became aware of his qualities. I was fascinated by his wild life – contrast with bourgeois dramas – and his courage to live out the most extreme situations.’Von Praunheim’s documentary, intended to expose Fassbinder’s personality and his work approach, looks at his favourite actresses, from Hanna Schygulla to Jeanne Moreau. Irm Hermann, who acted in nineteen of his films, has a very special place. In addition, Von Praunheim interviews the owner of the local bar, Fassbinder’s former editor Juliane Lorenz, who now controls his estate, and cameraman Michael Ballhaus. It provides an unusual insight into the `Fassbinder phenomenon’.
Film details
- Country of production
- Germany
- Year
- 2000
- Festival edition
- IFFR 2001
- Length
- 90"
- Medium/Format
- Betacam SP PAL
You may also like this
-
Our Lady of the Assassins
The story of the unlikely love between an elderly writer and a street kid in the violent city of Medellin, the drugs capital and most-criminal city in
-
main programme features
-
-
Go for Broke
Modern neo-realism from China. Unemployed people in Shanghai optimistically start their own companies. Business is coloured by many impediments and by
-
main programme features
-
-
Ayollar Saltanaty
Uzbek morality play about the writer and professor Olim who promises his dying friend that he will look after the latter’s stunningly attractive wife
-
main programme features
-