Hubert Bals Fund FAQ

The Hubert Bals Fund supports groundbreaking film projects in every stage of the production process, working especially with filmmakers from countries where local film funding and infrastructure is lacking or restrictive.

The fund closely collaborates with IFFR’s other industry activities, which include talent development and the co-production market CineMart.

For upcoming deadlines please see here.

For Development Support: filmmakers or main producers from countries listed on the HBF list of eligible countries are eligible for HBF support. The director, writer, and main producer of eligible projects should live and work in one of these countries. The HBF also provides support to feature films by filmmakers from eligible countries, who are living in diaspora (e.g. dual nationality, refugee status or residency permit) in a non-eligible country. Please note that priority is given to films that are majority shot in an eligible country.

For the HBF+Europe: Minority Co-production support and HBF+Europe: Post-production support: the applicant should be a production company that is constituted and active for at least two years in a country participating in the MEDIA Sub-programme and owned – directly or by majority participation – by nationals from such countries. The track record of the applicant should demonstrate a (majority or minority) participation in at least two completed feature films, including one international or European co-produced feature film. 

For NFF+HBF, the collaborative programme of the HBF and the Netherlands Film Fund, the applicant should be a Dutch producer who fits the eligibility criteria of the Netherlands Film Fund.

For HBF+Brazil: Co-development Support: the applicant is the main producer attached to the project.

The HBF list of eligible countries is roughly based on the DAC-list of the OECD and the World Free Press Index’ two low ranking categories: red and black. 

The DAC-list 
The OECD (Organisation for Economic Co-operation and Development) has a committee that deals with development co-operation matters. The name of this committee is Development Assistance Committee (DAC) and every three year this committee revises their so-called DAC-list. The DAC-list of ODA Recipients shows developing countries and territories eligible for receiving Official Development Assistance (ODA).

The World Free Press Index
The World Free Press Index is an annual ranking of countries ordered by the amount of freedom that journalists, news organisations and citizens enjoy in each country. The list is compiled and published by Reporters Without Borders, and is based on their research and assessment. We have included certain countries ranking low on the HBF list of eligible countries. Reporters Without Borders is an international non-profit, non-governmental organisation that promotes and defends freedom of information and freedom of the press. The organisation has consultant status at the United Nations.

For Development Support, the selection committee consists of film industry professionals from across Latin America, Africa, Asia, the Middle East, and Europe, as well as IFFR programmers and IFFR Pro staff. All committee members have extensive knowledge of filmmaking and film funding processes. In every committee, different regions and perspectives are represented (i.e. producing, directing, scriptwriting, curating, etc.). 

For HBF+Europe: Minority Co-production Support and HBF+Europe: Post-production support, the committee assessing the projects consists of members from Europe and outside Europe, each with distinct and relevant expertise and experience within the film industry.

For NFF+HBF the collaborative programme with the Netherlands Film Fund, the selection committee consists of several staff members from the Netherlands Film Fund and the Hubert Bals Fund.

For the HBF+Brazil: Co-development Support, the selection committees consist of film industry professionals from across the world, and the HBF team. All committee members have extensive knowledge of filmmaking and film funding processes. In every committee, different regions and perspectives are represented (i.e. producing, directing, scriptwriting, curating, etc.).

No. The Hubert Bals Fund is designed to support feature length fiction films. Only films over 60 minutes in length are eligible for support.

The main focus of the fund is the support of narrative feature films. Shorts and films made for television will not be taken in consideration. Documentary projects are advised to apply to the IDFA Bertha Fund of the International Documentary Festival Amsterdam.

In some specific cases, the Hubert Bals Fund has supported creative documentary films such as Ningdu and Lucrecia Martel’s ongoing project Chocobar. These films were selected because of their strong cinematic approach. The HBF can therefore support creative documentaries based on a strong artistic vision, mix of fiction and documentary elements or an experimental approach to filmmaking.

For the HBF+Brazil: Co-development Support in particular, documentary projects are not eligible to apply.

Aide aux cinémas du monde (CNC)

Arab Fund for Arts and Culture

Asian Cinema Fund

Ciclic – Aide au co-développement international

Cineworld (Film Fund Luxembourg)

Doha Film Institute

Fonds Image de la Francophonie

Global Film Initiative

IDFA Bertha Fund

Jeune Creation Francophone

Programa Ibermedia

Purin Pictures

Sanad

Sørfond

Torino Film Lab

Visions Sud Est

World Cinema Fund

For an extensive overview of other funding possibilities worldwide, we recommend Olffi, a database on all public funding programs and production incentives for film, TV, new media.

Application materials (and subtitles) should be written in English.

For Development Support: No. Due to the amount of applications the fund receives in this category, it is not possible to submit the same project twice. Projects can only be resubmitted upon invitation by the HBF.

For HBF+Europe: Minority Co-production Support: If a project has been rejected in a previous round, it can be submitted for a second time only in a following round. Further resubmissions are not allowed.

HBF+Europe: Post-production Support: It is not possible to submit the same project twice.

For NFF+HBF:  Yes, if a project has been rejected in a previous round, it can be submitted for a second time in a following round. 

For the HBF+Brazil: Co-development Support: the scheme is in a pilot version for 2025. Updates on future editions and resubmission policy will be published on the Hubert Bals Fund website in 2026.

Each applicant may submit a maximum of two projects per annual funding round, but please note it is not possible for more than one project by the same director to make the final selection. We therefore strongly recommend that you focus your application on the project that has the most priority for you.

No, the two funds are not compatible. Once you project has secured funding from the IDFA Bertha Fund, it is automatically not eligible for any of the funding schemes offered by the Hubert Bans Fund.

Development Support
Phase 1: Within seven weeks after the application deadline.
Phase 2: Approximately four months after the application deadline.

HBF+Europe: Minority Co-production Support and HBF+Europe: Post-production Support
Approximately three months after the application deadline.

NFF+HBF
Approximately eight weeks after the application deadline.

HBF+Brazil: Co-development Support:
Phase 1: Within seven weeks after the application deadline.
Phase 2: Approximately four months after the application deadline.

The most effective way to contact the HBF is by writing an email to hbf@IFFR.com. This inbox is read by the HBF team. If you want to reach one of the team members specifically, please address your email accordingly.